Float Framing Artwork Tutorial for Prints, Drawings, and Artwork on Paper

Framing Tutorial 31

I’ve set a goal of framing a bunch of prints/drawings that I’ve purchased from artists over the last few years so we can enjoy having them on display.  I’ve put together this tutorial for you all so you can feel confident in framing work without damaging it or plunking down serious cash at the frame shop.  This method of framing hinges the artwork from the top and lets it hang freely in a deep set shadowbox frame.  It lets the deckle edge show, and is easy to make with minimal material costs.

 Framing Tutorial 01

Materials:

  • Frame: a shadowbox frame that is proportionate to your artwork – I recommend buying frames in person as you can better gauge their quality.
  • Mat Board – I use archival Rag Mat Board – I don’t have to worry about it leeching acid or damaging prints/drawings over time.   
  • Mat Cutter (get one if you’re an artist or frame a lot of work – it is well worth the investment.) OR an X-acto Knife and Cutting Mat
  • Linen Gummed Hinging Tape – One small roll will last you a long time and it is reversible if you make a mistake or want to re-frame something later on.
  • Small T-Square  or a Ruler
  • Microfiber Rag – these are essential for cleaning frames because they leave no dust.
  • Scissors
  • Pencil and eraser
  • Scrap paper for making a mock-up
  • Optional: Drafting Tape  for initial positioning of artwork


Step 1:
Clean everything with your microfiber rag and some glass cleaner.  Clean your work area, clean your frame, take it apart and clean both the inside and the outside.  This may seem like overkill, but you’d be surprised at how dirty frames can be even when they are new.  This will keep little black specks of dust and errant cat hairs at bay. 

Framing Tutorial 03

Step 2: 
Make a template of your frame insert (or use the back of the paper that comes in your frame).  This will help you get accurate measurements for centering your artwork in your frame.

Framing Tutorial 04

Step 3:
Measure your artwork and center it on your template.  I like to have my artwork centered width-wise, and have a little bit more space on the bottom than on the top length-wise.   Make small marks showing where the corners are.

Framing Tutorial 06

Step 4:
Establish a ‘cut line’ that is about 1/3” down from the top of the print.  This is where we’ll cut a slit in the backing board to mount work invisibly

Framing Tutorial 07

Step 5:
Cut out mat board to use as your backing.  Use your mat cutter or your xacto knife and a ruler to produce a straight 90 degree cut.  If using your xacto knife, make sure to take your cuts slow – you’ll need multiple careful passes to cut through your mat board.  Be patient.

Framing Tutorial 09

Framing Tutorial 10

Framing Tutorial 011

Step 6:
Once your mat board is cut, lay your template over the mat board and transfer the ends of your cut line by pushing your pencil through your paper.  It should create a small indent that you can then use a ruler to connect.

Framing Tutorial 12

Framing Tutorial 13

Framing Tutorial 14


Framing Tutorial 15

Step 7:
Using your Mat Cutter or your Xacto knife, cut a slit along your cut line through to the back of your paper.  This cut should be the opposite directions that you usually cut mat bevels, and should be at a 45 degree angle.  If using an Xacto knife, it may take a bit of practice to get this technique down.

Framing Tutorial 16

Framing Tutorial 17

Framing Tutorial 18

Step 8:
Once your bevel is cut, take some pieces of Linen tape about 2” long  and cut them to be about 1/2” wide.  If you are hinging a larger piece, use 3” long tape and use the full 1” width. 

Framing Tutorial 19


Step 9:
Mount the tape in a small square to the back of the artwork.  If mounting a photograph, or something on really thin or translucent paper, the linen mounting tape might not work the best – you may want to try a self-adhesive archival tape.  Make sure you don’t add too much water to the tape – I like to put the water on, let it sit for a few seconds to absorb into the tape, and then adhere it to the back of the print.  Make sure you mount it lower than 1/3” from the top – I like to mount mine about 2/3” from the top so that I have a little vertical space to work with when adjusting my artwork.  Also be mindful not to mount the tape pieces wider than your slot in your mat board.

Framing Tutorial 21


Framing Tutorial 20


Framing Tutorial 22

Step 10:
Slide the tape through the slit in the mat board and adjust it until your print sits exactly where you want it.  I like to use some drafting tape on the back once I get it situated before I adhere it to the back of the mat board to double check that the print sits just right before adhering the gummed linen tape to the mat. 


Framing Tutorial 23


Framing Tutorial 24


Framing Tutorial 25


Framing Tutorial 26


Step 11:
Once you’ve double-checked your placement, adhere the linen tape to the mat board and take an additional piece to place over your slot.  This will keep it from bowing out or warping over time. 


Framing Tutorial 27


Framing Tutorial 28


Framing Tutorial 29



Step 12:
Place your artwork in your frame and enjoy! 
Framing Tutorial 30



The wonderful piece in this tutorial is a print by Michael McGovern - a grad school friend, and wonderful printmaker based in Portland - click on his name to check out his website and other work!


Paintings in Progress

I'd been working on a bunch of small watercolor paintings, and having mixed success (ok - so I made a bunch of mediocre/bad paintings and a few ok ones).  I've started working on a bunch of small oil paintings to get back on track.

Blocking in the first layer of this little block painting.

Blocking in the first layer.

Second layer down on this little guy. One more to go.

The second layer is finished, I've got one more to go to add more detail and refine the gradients/ edges.

Starting the underpainting on this guy today.

Started this one from a tiny maquette made from paper and a metallic pipe cleaner.  Note: Metallic pipe cleaners are tough to paint!

Kapow. Underpainting blocked in.

This is the second layer - I've got one more layer to go on this one to flatten out the forms and sneak in some insane detail on the pipe cleaner lightening.

First layer done on this one.

This one still needs one more layer.  I kind of love how it is turning out so far.  I used craft foam to build the little maquette for this one and foresee making more of these.  I like the combination of simplicity and realism happening in this painting.

G'night.

And, last but not least, a 'lone cloud' painting.  I just blocked this one in last night.

I like having a bunch of paintings to jump around between.  It helps me to stay focused and energized.  If I run into a wall with one painting, I've always got another one I can turn to to stay motivated and engaged.

Watercolors and Juice

Studio night. Just finished this little 11x14" gouache and watercolor.
Untitled - 11x14" - Watercolor, Gouache, and Pastel on Paper

I've been working quite a bit on some smaller pieces in the studio lately.  After I finished a marathon oil painting session for my last exhibition I think I just needed to decompress a little bit so I started working on a bunch of these smaller works.

G'night.
Midas - 6 x8" - Watercolor on Paper

I'm not sure where I'm going with these paintings, but I'm learning a lot from each one.  

Working on shiny things in the studio.

Sunday: watercolors and sketching out a few preliminary mockups for some commissioned pieces.  I love having a bunch of little watercolor paintings started so I can work on them in tiny increments between larger oil paintings.

I've got about 12 of these little works in progress.  I always enjoy having a lot of pieces going at once - I don't think it is possible to get stuck or creatively blocked that way.  
So, I think this juicing thing is sticking.  Migraine frequency and intensity are down, energy up, coffee intake down.  Today's juice: 1/2 green apple, celery, carrot, ginger, sweet potato, and a tiny bit of cardamom. D-lish!


I'm also totally geeking out about my Juicer that I recently bought.  I've been trying to kick my migraines, drink less coffee, and eat healthier this last month.  Every afternoon I make myself a juice with one fruit and a ton of veggies.  I'd whole-heartedly recommend it!

Exhibit at Northern State University

A few weeks ago I installed my work in the Isaac Lincoln Gallery at Northern State University in Aberdeen, SD.  While there I also met with students to give a lecture on how I use social media as an artist and gave a gallery talk about my current body of work.  I had a blast, and am thankful to the Art Department for having me as their guest.

Here are some shots from the exhibition:
Exhibition at Northern State University - 2015
Arranging work - this can be a surprisingly tough task - especially when considering that the figurine paintings always have a 'direction' that they face.  

The lovely show cards that they designed:
Exhibition at Northern State University - 2015

Exhibition at Northern State University - 2015
Works hanging on the largest wall. 

Exhibition at Northern State University - 2015
It was great to see so many students and faculty members attend the opening reception for the exhibition. 

Talk at NSU
The students and other attendees asked some great questions after my talk!  

Thanks again NSU for hosting my work!